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・ Adolf Weitkunat
・ Adolf Werner
・ Adolf Werthner
・ Adolf Wiklund
・ Adolf Wilbrandt
・ Adolf Wild von Hohenborn
・ Adolf William, Duke of Saxe-Eisenach
・ Adolf Winkelmann
・ Adolf Winkelmann (film director)
・ Adolf Wissel
・ Adolf Wolf
・ Adolf Wuttke
・ Adolf Wölfli
・ Adolf Wörmann
・ Adolf Zander
Adolf Zeising
・ Adolf Zethelius
・ Adolf Ziegler
・ Adolf Zika
・ Adolf Zimmermann
・ Adolf Zinkl
・ Adolf Zsigmondy
・ Adolf Zytogorski
・ Adolf Zábranský
・ Adolf Østbye
・ Adolf Čech
・ Adolf Černý
・ Adolf Šimperský
・ Adolf, Count Palatine of the Rhine
・ Adolf, Duke of Bavaria


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Adolf Zeising : ウィキペディア英語版
Adolf Zeising

Adolf Zeising (24 September 181027 April 1876) was a German psychologist, whose main interests were mathematics and philosophy.
Among his theories, Zeising claimed to have found the golden ratio expressed in the arrangement of branches along the stems of plants and of veins in leaves. He extended his research to the skeletons of animals and the branchings of their veins and nerves, to the proportions of chemical compounds and the geometry of crystals, even to the use of proportion in artistic endeavors. In these phenomena he saw the golden ratio operating as a universal law,
Many of his studies were followed by Gustav Fechner and Le Corbusier, who elaborated his studies of human proportion to develop the Modulor.〔. Hermann Lotze, Geschichte der Aesthetik in Deutschland, 1868, discusses Zeising on pp. 306-309 and reports Fechner's critique in Archiv fuer zeichnende Kuenste, 1865, p. 100, that the golden ratio measurements of the Holbein and Sixtini Madonnas do not agree, whereby Fechner concluded that Raphael avoided rather than sought the golden ratio in painting. Lotze himself is sceptical, but he finds Fechner's experiments using surveys of viewers promising.〕
== Works ==

* ''ドイツ語:Zeitgedichte'' (1846)
* ''ドイツ語:Neue Lehre von den Proportionen des menschlichen Körpers'' (1854)
* ''ドイツ語:Ästhetische Forschungen'' (1855)
* ''ドイツ語:Die Verhältnisse der Menschengestalt und der Blattstellung in ihrer Gleichheit und Verschiedenheit''. (1855)
* ''ドイツ語:Der menschliche Kopf im Profil'' (1856)
* ''ドイツ語:Die Proportionen von reinen antiken Statuen'' (1856).
* ''ドイツ語:Über die Metamorphosen in den Verhältnissen der menschlichen Gestalt von der Geburt bis zur Vollendung des Längenwachtums'' (1858)
* ''ドイツ語:Kaiserin Eudoxia'' (1861)
* ''ドイツ語:Hausse und Baisse'' (1864)
* ''ドイツ語:Kunst und Gunst'' (1865)
* ''ドイツ語:Joppe und Krinoline'' (1865)
* ''ドイツ語:Die Verhältnisse des Kölner Doms'' (1869)
* ''ドイツ語:Die regulären Polyeder'' (1869)
* ''ドイツ語:Religion und Wissenschaft, Staat und Kirche'' (1873)

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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